June 03, 2024
After forty years of design work, the answers to these questions still prevail and often are the substance of my days. The biggest challenge is to keep a fresh view of the possible solutions for the client and for myself. I like to try new materials, new patterns and new construction. I’m not the type of person who likes the do the same thing again and again, although I do believe in perfecting that which works, in different ways, as you might notice with my variety of handmade bags.
Having been an interior designer and a maker of handmade goods for a while now, I have always grappled with how to live two different worlds. One, building or restoring whatever please me. Two, understanding what a client’s needs are and how to build for them. These are such different worlds yet there is one element they have in common: using as little of the earth’s resources as possible. You could say it’s my religion. From my first big hotel project in Coconut Grove, Florida, to the gallery of reawakened furniture I ran with my husband Carlos Castro for twelve years in the eighties, to the over sixty restaurants, nightclubs and homes I’ve designed…..I’m careful to not to over-tax the planet. Henry David Thoreau said it beautifully: “A man is rich in proportion to the number of things he can let alone.”
My design clients are numerous and so very different in their needs and budgets. Often contractors who carry through my complex design plans, are like those strange creatures sitting at the bar in the Star Wars movie….shifting from one side of the stool exhaling in huffs and puffs. They proclaim: “Yes, don’t’ worry, leave it up to me…..”(when they intend to bypass the plans) or “If you want to do it that way, why don’t you do it yourself?!” as we stare into a void. And yes, they probably are as perplexed by me. But by the time I leave a construction site, cross the county and slide into my oasis of a studio, it’s finally playtime! Yep, fixing, sewing, gluing paper or whatever my heart desires ignites my fire! The result of this solo time is what you see with the items in my Antares Furnishings online store.
My Mom and Granddad built wonderful projects from restoration of cottage houses, cabins in the woods, to classic New Mexican ranch style adobe homes. I learned to be courageous and grateful for every opportunity I was given. I made bricks in the hot sun and stripped wallpaper off walls when I was a kid. I am just as happy today, painting a mural, stenciling walls, making a puppet or restoring an old toy as I am in leading the subs through a year long construction project. My Dad taught me to always tell a good story and know how to end it well. Seems this story isn’t over and because of your patronage, I’m a very fortunate soul! Thank you.
- Carolyn Robbins
When mapping out new changes, as we are encountering during this pandemic, I imagine how we can learn from the future. How can we imagine many futures and be prepared for anything to happen? Could it be an adventure in imagining and accepting?
One future may be: our lives never resume the way they have been, yet, by focusing on our good fortune in health and interests, we progressively find a sort of enlightenment in connecting to our families, teaching and learning new skills. Or we could begin to read again or listen to old records. We invent a better way. Perhaps our patience is maxed to the limit, and we want to crawl out of our anxious skin and into the old ways. So we go way back. We bring Grandma’s old Singer sewing machine down from the attic and introduce our children to sewing. We reminisce about how Granny's hands looked threading a needle. Or we slip on a pair of gloves, and using fine steel wool on our old tools, we remember our father’s care of his. We pick up a quill pen, dip it into an ink bottle and write some letters, and then maybe dripping hot wax on the back of an envelope for the first time in thirty years. We indulge in sweet futures, that may never look the same, but bring us home again.
Whenever I find myself weary of change I’m not comfortable with, I take a walk to the top of a hill. The steeper the hill, the harder to hold any negative thoughts I held on to before. The uncomfortable fades away and I’m left in a kind of abyss of “Maybe I can do this.” I’m not always sure of the way, but I know movement is eminent. I credit this change to being in nature and letting the sounds and smells and sunlight through the trees, speak to me. I believe this helps me design, create new products but most of the time, I’m freed up to take on a new adventure. If I have to go back to a grind I’ve been stuck in, I bring a branch of leaves and berries into my house and hang them on the wall. I mix up my environment by moving furniture or straightening up. I bring a bonsai tree in the house to remind me what my walk gave me in spirit. Then slowly but surely, instead of escaping the undesirable, I get through it and on the other side I find a contentment with even the grind itself.
So how can I use this today, when I’m tired of staying at home? When I miss my galleries and museums, and... I’m sorry but the virtual thing has it’s limits. I need to see the oil build-up on the art canvas. Monitor images just don't provide this! I want to watch the chefs preparing meals in a restaurant or see the bustle of people in the streets. How can I use my quiet hill top hikes, when my heart aches for connection?
I notice that each time I look for inspiration in nature surroundings, I'm not distracted with voices from the outside world. I can only hear the subtle tapping in my psyche for yet another expression or another idea or perspective I've yet to see. I look towards how to press leaves, or how to write a poem. If writing is what I do today, and sewing tomorrow and hiking the day after….then let that be my connection. Let nature show me the way.
Welcome to my life inside of crepe paper flowers, up-cycled fibers, restoration of just about anything I find where new life can be born to an object. I insist on having fun with whatever I find. To explain how ideas come to me....try this: take a multi faceted approach. If you have one idea, try another centered around the same set of conditions or materials. After three or four ideas, stretch your imagination even more. Along the way, possibly two or three ways or maybe only one, will give you an ah-ha moment. You can feel: "This has potential." For me, this method jells my creative ideas into a series of possibilities. Then I simplify, simplify, simplify the one idea that holds my interest. Eventually after honing what I've found, and I'm sure you'll discover this too: voila...,we're on our way towards being true re-awakened magicians!
Carolyn Robbins
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